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Hannah Montana: The Movie out on DVD
August 18, 2009
CMA Music Festival airs on ABC
August 31, 2009
MTV VMAs
September 13, 2009
The View
September 15, 2009
Valentine's Day (Movie)
February 12, 2010
Please take a visit to Taylor Love's sister site, run by Massie. Fearless is a wonderful fansite with one of the largest Taylor Galleries online and lots of great content. Click below!
Name: Taylor Love
URL: tayloralisonswift.org
Webmasters: Angela & Jess
Launched: May 20 2009
Contact:

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Name: Taylor Alison Swift
Age: 19
Date of Birth: December 13, 1989
Hometown: Pennsylvania
Location: Tennessee
Discography: click here
» More info and facts here
Stepping off Music Row and into the small but stylish lobby of Big Machine Records,
a visitor quickly realizes it’s not just the walls that reveal the story of Taylor
Swift’s meteoric rise to stardom. Even the floors have a tale to tell. With much of
the vertical real estate already claimed by industry awards, framed national magazine
covers, and gold and platinum records, the staff has adopted the tactic of neatly
stacking the continuous stream of accolades and achievements along the baseboards.
All that’s needed is a break in a busy intern’s schedule to grab a hammer, a few
nails and search out any open wall space.
The photo most often found framed inside with all that precious metal is certainly a
familiar one to millions of her fans: the cover of her first album, 2006’s Taylor Swift.
Knowing what we know now about Taylor, it’s a striking image. Gazing back at us are the
calm yet intense eyes of a sixteen-year-old girl who knows she has much to say, but isn’t
really sure if anyone will want to listen.
“It’s crazy, the first time making an album, not knowing if people are going to care what
I write in a song,” Swift admits. “And then the second time around...knowing that there
are people who are going to know the lyrics that mean so much to me. It makes it all worthwhile.”
A second time around. It’s hard to believe it’s already time for Taylor to
follow up her triple platinum debut. Especially considering that, two years
after it’s release, it is still near the top of the country charts.
What’s even harder to believe is that Taylor Swift has yet to turn twenty.
And when it came time to put a name to her sophomore effort, Swift decided
on one word that just might be the perfect adjective to describe her journey to this moment. FEARLESS.
After all, this is the girl who, at the tender age of 10, had the guts
to take the stage at every karaoke contest, festival, and county fair
that passed through her hometown of Wyomissing, Pennsylvania. This is
the girl, who at age 11, took a trip to Music City and left in her wake
a trail of amused receptionists as she dropped off her homemade demo
tape at every label in town. This is the girl who, at only 14, relocated
with her entire family to Nashville to sign a songwriting deal with one
of the most prestigious publishers in all of music. This is the teenager
who signed her first record deal before she could drive. Who sidestepped
the major labels in town to take a chance with a smaller start-up label.
Who had the guts to step from an ACM awards stage and into the audience
to introduce herself to Tim McGraw live on national television – just
seconds after playing the last chord of her first hit song that bears
his name.
It’s safe to say Taylor Swift knows a thing or two about being FEARLESS.
“It’s a big deal to title your album, so I wanted to make sure that it
was the right call,” says Swift. “I started thinking about the word
‘fearless’ and what it means to me. It isn’t that you’re completely
unafraid. I think fearless is having fears, but jumping anyway.”
Jump? With this record, Taylor Swift takes a flying leap. FEARLESS
is a creative snapshot of an undeniable talent taking the next big
step, both in her life and in her music. The high school freshman
who once sang of “trying to find a place in this world” has now
seen so much more of it. It shows in the new music.
“I think that when you grow up two years, you learn a few things,”
reflects Swift. “Some people have been saying that the songs seem
more mature. You know I wasn’t really going for that. I just wrote
what was happening to me. I grew up a little bit and that came into
my songwriting.”
It’s important to remember here -- these are truly her words.
Following an impressive trend established on her debut CD,
Taylor has once again written or co-written every song on FEARLESS
– including seven tracks by herself. Songwriting is a craft Swift
has been honing since first strumming a chord on a guitar at the
age of 12. By that evening, she had written her first tune. She was
hooked. Her life became consumed with songs. Every spare moment was
spent writing, playing, or thinking about music. Even while hitting
the books as a straight-A student at Hendersonville High School,
just outside of Nashville, she was doodling lyrics in the margins
of her notebooks.
Even now, with her life barreling down the country music fast lane,
Taylor still makes it a priority to put the guitar, pen, and paper she
keeps nearby to good use. And it’s not easy with her schedule. After
signing her record deal, Taylor left her high school locker behind to
be home-schooled out on the road. Now instead of English and Latin class,
Taylor has been studying George Strait, Tim McGraw, Faith Hill, Brad
Paisley and Rascal Flatts on tour. Instead of class pictures, she’s
posing for the covers of Rolling Stone, Billboard and Seventeen.
Now, more than ever, making music has become her way of making sense of
all the madness. Writing songs helps her stay grounded as her career
launches into the stratosphere. But for listeners popping in Taylor’s
new CD and expecting to hear a laundry list of lyrics on the plight of
country music superstar rising through the ranks, FEARLESS is
going to surprise you.
“I didn’t want to write songs about being on the road and being in hotels
and missing your family and missing your friends,” insists Swift. “When
I was like 14 or 15 and I would hear those things on an album...being alone,
living out of a suitcase... and I was always like, ‘Ugh, skip!’ I’m inspired
by boys and love. Those are my favorite things to write about and I don’t
think that that is limited to high school. I’d rather write songs about how
I’m feeling and the relationship side of things.”
As we quickly realize from several of the tracks on FEARLESS, Taylor has found
out relationships only get more complicated with age. Songs like “You’re Not Sorry”,
“Tell Me Why,” “Forever & Always,” and “White Horse,” the latter of which debuted
in the 2008 season opener of the primetime drama Grey’s Anatomy, find Taylor has
learned that “happily ever after” endings are not always a given.
“I think I’m very fascinated by the differences between reality and fairy tales,”
Swift says. “When we’re little, we read these books and we see cartoons and the
bad guy is always wearing black. You always know who he is. But in real life, the
bad guy can be incredibly charming and have a great smile and perfect hair. He
says things that make you laugh and he’s sweet and he’s funny, but you don’t realize
that he’s going to cause you a lot of pain.”
But lest you think it’s all ogres and trolls reeking havoc on the landscape of Taylor’s
love-life, there is a welcomed cameo from a prince charming or two riding to the rescue.
The album’s first single, “Love Story,” offers up a countrified version of Shakespeare’s
play that is anything but a tragedy. In Taylor’s world, Romeo is still breathing when the
curtain closes...and Juliet has a ring on her finger. And in the incredibly infectious “Hey
Stephen,” Taylor proves she truly is FEARLESS by singing about a secret crush – who will most
assuredly not remain a secret for long. Yes, the boy really exists. And yes, Stephen is his real
name. “He has no idea the song is written about him,” Taylor says with laugh. “It’s someone who
I’ve always been friends with and always kind of had a thing for...and he doesn’t know.
It’s always fun for me to put something on the album that is personal. Something I
know I’m going to have to deal with when the record comes out.”
She even leaves listeners with a positive vibe. The album’s final track is a song Swift wrote
to inspire her during some of the tougher moments in the early going of her career.
“There were times I was working so hard that I didn’t realize that every single day our
numbers were getting bigger,” Swift remembers. “Every single day, our fan base was growing.
Every single day, the work that we were doing was paying off. Then, during the 2007 CMA Awards,
when they called out my name as the Horizon Award winner, I looked over and saw the president
of my record label crying. Walking up those stairs, it just occurred to me that that was
the night things changed. It changed everything.”
Some things for Taylor, however, have stayed the same. Her steady creative
partner Liz Rose is back on board. Rose was a co-writer with Taylor on seven
songs from her debut album, and was the first person to encourage her to
release “Tim McGraw” out into the world.
Swift has also invited three more talents in to the writing mix
on FEARLESS. After getting the title track off the ground with Rose,
Swift called on songwriter Hillary Lindsey (“Jesus, Take The Wheel”)
to help bring the song in for a landing. Blown away by pop songwriter
Colbie Caillat’s talents on her debut album CoCo, Taylor immediately
reached out to her to collaborate. The result is “Breathe,” with Caillat
adding vocals to the track. “I think she sounds beautiful
on it,” gushes Swift.
And the final pairing brought two country forces of nature together
in the same Music City studio. Taylor Swift meet John Rich.
“It was always one of my goals to write with John,” says Swift.
“I had heard so many things about him. I just wanted to see what
it was like to get into a room with him because I know I’m a very
opinionated writer and I knew he was a very opinionated writer.
So I knew this was either going to be the best thing in the world
or was just going to be a complete train wreck.” Not only does the
song they created stay on the tracks, it’s proof that two great
cooks can rock a kitchen. Taylor and John clicked in a big way
recording “The Way You Loved Me,” a song about the age-old story
of a good girl pining after a bad boy.
As if writing every song on the album and living the life of a country
superstar wasn’t enough, Taylor added even more to her workload when
recording FEARLESS. She joins Nathan Chapman, the main man behind the
board for her debut album, as a co-producer on the record. “All the
songs for the second record, it’s like they were already produced in
my head,” recalls Swift. “When I was writing a song, I knew what every
instrument was doing. The strings, mandolin, banjo, or dobro. I heard
it all. It was just really cool to have all those instruments I heard
end up on the album.”
But even as she experiments with new sounds and new directions for her music,
Taylor Swift knows the power of a song begins and ends with its lyrics. And
it is in two of the softer, more stripped down moments on FEARLESS – the tracks
“Fifteen” and “Best Day” -- that Taylor’s extraordinary gift for writing shines
the brightest as she remembers fondly moments from her past.
We’ve always known Taylor was an old soul, but songs with this level of reflection from
someone still so young – they can leave you shaking your head in amazement. Then you
remember she’s just a few years removed from her own freshman year - and you understand
why her fans, including her over 1 million friends on her MySpace page, love her.
She puts to music exactly what they are feeling.
“I want my fans to know – I’m the same girl I was when the first
album came out,” says Swift. “I’m just not in high school and
I have a different schedule. I feel the same things, I feel the
same way. And my songs are where I’ll never hold back.”
That is music to a Taylor Swift fan’s ears.
Credit to Taylor's Official Site
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